After living in her two-bedroom apartment in Los Feliz for more than a decade, Debra Weiss encountered a problem experienced by many renters in Los Angeles: She was evicted.
“I moved into the apartment in 2014, and four years later, my landlord sold it to a wealthy family who bought it at a loss,” said Weiss, 69, who works as a textile artist and was evicted last year. “They knew they couldn’t evict us due to rent control.”
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When the landlords put the three-unit complex on the market in 2022, however, they offered Weiss $50,000 to move out — far more than the amount required by law — to make the building easier for them to sell. She declined, concerned it would affect her Social Security benefits, as there is a limit to how much one can earn and still receive full benefits.
Then, last February, the three tenants received eviction notices under the Ellis Act, which allows landlords to evict renters from rent-controlled apartments if the building is being torn down or removed from the rental market. It’s currently for sale for $3.2 million.
As a senior, Weiss was entitled to a full year’s notice because she had lived in her unit for more than a year. Still, she knew she would eventually have to move out of the comfortable 1,200-square-foot duplex, for which she paid $2,670 a month in rent.
Artist Debra Weiss stands in her dining room where she often works as a fiber artist.
When she began looking for another apartment in the area, Weiss quickly learned that she could no longer afford to live in Los Feliz. “The apartments were so much more expensive than what I was used to paying, and they had no parking or a washer and dryer,” she said. (Weiss was paid $24,650 in relocation assistance, which was taxed, due to her age and the length of time she lived in her Los Feliz apartment.)
She also visited some small studios and considered purchasing a TIC, or Tenancy in Common, where buyers purchase a share in a corporation that owns a building. However, to secure a loan, she’d need someone to co-sign. “Even though they are cute, they are tiny and not necessarily in the best neighborhoods,” she said. Another option, a Craftsman apartment near USC, wasn’t in a good walking neighborhood, something that was important to Weiss. It was also dark and hundreds of dollars more a month than her previous apartment. “I’m almost 70 years old and I need light to work,” she added.
Handknitted sculptures, embroidered weavings and a tufted rug adorn the guest room.
When her son-in-law spotted a charming two-bedroom apartment near the Los Angeles County Museum of Art for $2,950 a month on Zillow, Weiss decided to check it out.
“My initial reaction was, ‘I want this,’ ” Weiss said of the fourplex.
The rental had high ceilings, oak floors, ample sunlight, an appealing fireplace, a garage and a washer and dryer. A newly redone modern kitchen felt out of character for the 1930s building, but that didn’t bother Weiss. “The kitchen is a blank canvas,” she said of the all-white cabinets and countertops. “The white background makes all of my stuff stand out,” including ceramics by Mt. Washington Pottery and Altadena artist Linda Hsiao.
Weiss knits a sweater for her granddaughter with yarn she purchased in Japan.
Concerned that the landlord wouldn’t want to rent to her because of her age, she was pleasantly surprised when she got the apartment. “The light is amazing,” Weiss said. “I was initially worried about some of the modern touches like the overhead lighting, but it floods the room with bright light that allows me to work at night.”
Nearly a year after moving in, Weiss has filled the apartment with her stitched collages, quilts and the artworks of others, many of which she described as “trades.” “I like color and pattern and objects,” she said as she pointed out some Japanese ceramics on her buffet and a dress that she crocheted with scraps of fabric, yarn and metal.
In the guest room, a wall hanging composed of three separate weavings in a gingham check pattern is embroidered with a series of characters she based on her 5-year-old granddaughter’s drawings. “It’s about people coming together in chaos and supporting each other,” Weiss said. “I like the pattern; it reminds me of eating together on picnic tables.”
“I like objects,” Weiss said of the many treasures and collections of things that are featured throughout her rental.
On the opposite wall of the guest room above her sewing machine, a series of metal sculptures she knitted with copper and silver hangs alongside cloth dolls and purses. In the corner, a cowl made of macrame, textiles and yarn adorns a mannequin. There’s also a colorful latch hook rug that she made with acrylic yarn that looks more like artwork than a functional accessory.
In her bedroom, a coverlet that Weiss assembled from vintage quilts adorns the bed.
The long hallway ends at the laundry room and is lined with her colorful quilts, some of which are mounted on Homasote board, along with weavings and stitched works, which, like her cooking, are improvisational.
“I work without planning and respond to the materials and see what it becomes,” she said. “I start knitting and see where it goes. I get excited about the material, and then I go for it. “
The hallway in Weiss’s apartment is lined with her artworks.
Much of the wood furniture in her apartment was made by her father, who died 13 years ago.
“I’ve had this since my kids were little, and you can see all the markings,” she said of the hutch in the corner of her dining room. “My dad made it 40 years ago for the Van Nuys house I grew up in.”
It is here, at the dining room table that her father made, that she works, hosts workshops and teaches lessons in fiber art, collage and stitching. Later this year, she hopes to host a sale of her work at a holiday open house in her apartment.
Weiss is an expert in mixing texture, pattern and color in her Mid-Wilshire apartment.
The mixing of colorful Persian rugs, textiles, natural materials, chunky wood pieces and intricately knitted metal sculptures creates a warm balance throughout her apartment.
Bursting with color and pattern, the rooms offer a sense of calm that Weiss appreciates as a woman who raised three daughters alone and has had to pivot during major life changes. Over the years, she has run a clothing company, Rebe, which closed in 2019 due to economic uncertainty, declared bankruptcy and sold her Woodland Hills house. Most recently, she was forced to weather the eviction process.
“I’ve always been an entrepreneur,” said Weiss, who works six to eight hours a day at home and sells her artwork and sewing patterns on her Specks and Keepings website and at L.A. Homefarm in Glassell Park. “I’ll always figure out a way to make money by selling the things that I make.”
Even though the process of having to move was stressful, Weiss is happy with her new home and neighborhood. “I take the Metro bus everywhere and hardly ever drive,” she said. “I go to the Hollywood Farmer’s Market on Sundays. Kaiser is nearby and I can walk to LACMA. Everything worked out perfectly.”
Weiss pulls out a drawer of her flat files cabinet filled with her artwork.
